Falling

We should not be distressed by lapses from grace, those days when the mind is ceaselessly restless. It may be that we are trying too hard, or we may have become inflated by what we imagine as our progress in meditation, so that a fall from grace brings us back to earth. It is like the game of Snakes and Ladders. Meditation is an ever-renewed struggle; time and again we slide to the bottom. Of course, if we concentrate on winning, the game will seem even more pointless; we do not play to win – not in this game!

Once a year perhaps, in the game of Solitaire, all the marbles disappear until only one is left in the centre. We gaze at the circular board and the single marble and rest content. It is what Zen masters call a moment of satori: a sense of having broken through, when everything seems to fall into place.

And then! It is often after such an experience that we fall most lamentably from grace. ‘It has been a splendid day,’ wrote T.H.White in The Goshawk, ‘He would go back. He was sure to. Goshawks, and this was the second time I had learned from experience, went back two places every time they went forward one. “There is no short cut,” said my good book “to the training of the Goshawk.”’   

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A Place Apart

A young monk went to his Abbot and asked him for some words of spiritual comfort. The Abbot said to him, ‘Go and sit in your cell. Your cell will teach you everything.’ Similarly we read of Jesus: that he rose early and went up onto a high mountain, into the wilderness, into a lonely place to pray. He went apart.

So must we when we meditate. If possible it should always be the same place. A space used regularly for meditation gathers to itself its own aura of concentration. In India there is usually a corner of the crowded living room with a curtain drawn across it, where each member of the family goes to meditate. It does not shut out the noise, but it does become a sacred space, a place apart.

‘Day after day,’ says the Bhagavad Gita, ‘let the Yogi practise the harmony of the soul, in a secret place, in deep solitude, with upright body, head and neck which rest still and do not move: with inner gaze which is not restless … then his soul is like a lamp whose light is steady, for it burns in a shelter where no winds come.’

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